Publication Design
Of the Grid
Publication Design
Of the Grid
Publication Design
Of the Grid
Project Details
This publication was designed for the Leonard Pearlstein Gallery exhibition, Of The Grid, and was developed around the exhibition’s central premise of the “grid” as both subject and structure. Each artist is presented through a rigorously organized spread system grounded in Swiss International Style principles, using grid logic as both a conceptual and compositional framework. The result is a highly ordered editorial system that reflects the exhibition’s investigation of structure, repetition, and spatial discipline, while maintaining clarity across a large set of contributors.
Project Details
This publication was designed for the Leonard Pearlstein Gallery exhibition, Of The Grid, and was developed around the exhibition’s central premise of the “grid” as both subject and structure. Each artist is presented through a rigorously organized spread system grounded in Swiss International Style principles, using grid logic as both a conceptual and compositional framework. The result is a highly ordered editorial system that reflects the exhibition’s investigation of structure, repetition, and spatial discipline, while maintaining clarity across a large set of contributors.
Project Details
This publication was designed for the Leonard Pearlstein Gallery exhibition, Of The Grid, and was developed around the exhibition’s central premise of the “grid” as both subject and structure. Each artist is presented through a rigorously organized spread system grounded in Swiss International Style principles, using grid logic as both a conceptual and compositional framework. The result is a highly ordered editorial system that reflects the exhibition’s investigation of structure, repetition, and spatial discipline, while maintaining clarity across a large set of contributors.
Leonard Pearlstein Gallery
Work for Pearlstein Gallery spans editorial design, exhibition identity systems, and promotional material across a range of contemporary art exhibitions. The work has focused on translating curatorial frameworks into structured visual systems, balancing strict formal constraints with more expressive, concept-driven elements. Two major catalogue projects anchor this body of work: Of the Grid and A Certain Slant of Light. A Certain Slant of Light was designed for an exhibition featuring three former Drexel professors working across painting, sculpture, and photography. Alongside catalogue design, I’ve developed a range of exhibition-based promotional and environmental materials. For The Walking Mountain exhibition by Sandra Eula Lee, I designed print materials like vinyl graphics that extend the visual language of the work into promotional form. For Cey Adams’ Departure exhibition, I designed a large-scale timeline vinyl installed within the gallery space to reflect the visual language of Adams’ own practice.
Leonard Pearlstein Gallery
Work for Pearlstein Gallery spans editorial design, exhibition identity systems, and promotional material across a range of contemporary art exhibitions. The work has focused on translating curatorial frameworks into structured visual systems, balancing strict formal constraints with more expressive, concept-driven elements. Two major catalogue projects anchor this body of work: Of the Grid and A Certain Slant of Light. A Certain Slant of Light was designed for an exhibition featuring three former Drexel professors working across painting, sculpture, and photography. Alongside catalogue design, I’ve developed a range of exhibition-based promotional and environmental materials. For The Walking Mountain exhibition by Sandra Eula Lee, I designed print materials like vinyl graphics that extend the visual language of the work into promotional form. For Cey Adams’ Departure exhibition, I designed a large-scale timeline vinyl installed within the gallery space to reflect the visual language of Adams’ own practice.
Leonard Pearlstein Gallery
Work for Pearlstein Gallery spans editorial design, exhibition identity systems, and promotional material across a range of contemporary art exhibitions. The work has focused on translating curatorial frameworks into structured visual systems, balancing strict formal constraints with more expressive, concept-driven elements. Two major catalogue projects anchor this body of work: Of the Grid and A Certain Slant of Light. A Certain Slant of Light was designed for an exhibition featuring three former Drexel professors working across painting, sculpture, and photography. Alongside catalogue design, I’ve developed a range of exhibition-based promotional and environmental materials. For The Walking Mountain exhibition by Sandra Eula Lee, I designed print materials like vinyl graphics that extend the visual language of the work into promotional form. For Cey Adams’ Departure exhibition, I designed a large-scale timeline vinyl installed within the gallery space to reflect the visual language of Adams’ own practice.
